On the page · Essay · Lead essay
The measure decides everything
Pick the line length first. The typeface, the size, the leading and the margins are all downstream of it, and most bad pages started somewhere else.
A reading journal by Vera Ostlund
On the page · Essay · Lead essay
Pick the line length first. The typeface, the size, the leading and the margins are all downstream of it, and most bad pages started somewhere else.
Every second Thursday
One essay or a set of notes, by email and on the site. Never more than twice a month.
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Most essays here belong to one of three long arguments. Each series page lists its essays in the order they are meant to be read.
Measure, margins, figures and the stranded line: the decisions made once that govern every line after them.
Letterpress, proofing and the printing trade, mostly as it survives in small shops that were never modernised.
Rereading, attention, notebooks and the case against treating a book as a quantity to be got through.
Who writes it
I am Vera Ostlund. I set books for small publishers for a living, and since 2019 I have written here about the decisions that make a page readable, and about reading itself.
Every letter goes through the same week. It is slow on purpose, and it is why the letter is fortnightly rather than weekly.
Every piece starts as a page in a paper notebook: a measurement, a complaint, a sentence I cannot stop rereading.
Written straight through, then left overnight. Most drafts lose a third of their length the next morning.
Read aloud, then printed and read again with a pencil. Nothing goes out that has only been read on a screen.
Sent to every reader and published here at the same moment. Replies go straight to my inbox.
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The letter, every second Thursday.
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Replies arrive every fortnight. A few, printed with permission.
Dear Vera,
I have set type for twenty-two years and your piece on the second proof is now pinned above my desk. My apprentice has been told to read it before she reads anything else.
Hello from the night shift,
Your letter arrives on the one evening a fortnight I have to myself. I print it, which I realise you would approve of, and read it with a pencil.
Dear Versal,
I became a member after the essay about rereading one book every January. I have started with a novel I hated at nineteen. We will see about year eleven.
Vera —
I run a two-person press and we used your margins essay to settle an argument that had gone on for a month. You were on my side, so I am renewing.
Metal and ink
Reading slowly
On the page
Reading slowly
One essay or a set of notes, every second Thursday, free. Join 6,840 readers and read it with your coffee.